To create her illustrations, Margaret Chodos-Irvine transferred color from one surface to another, building the images up gradually from flat layers of color. For her linoleum block prints (linocuts), she cut the image into sheets of battleship linoleum, rolled ink onto the surface, and printed the image onto paper using an etching press.
Illustrator Dan Santat’s style ranges from detailed to quite spare, but always seems to have a freshness and snap, in part because of his lively linework, rich colors, and loose, painterly textures. Santat used to paint in acrylics. He moved into a process of starting pieces in acrylic and developing the finish in Photoshop; and now does many of his illustrations directly in Photoshop.
James McMullan, illustrator of “I Stink,” was born in China. He went to elementary school in India and loved to draw. He staved off the tough kids by being able to draw Wonder Woman. When McMullan was 17, he and his mother immigrated to the United States. He studied for a year at the Cornish School of Allied Arts in Seattle and then volunteered for the United States Army (where he illustrated diagrams of where to position propaganda loudspeakers on Sherman tanks.) After his service, McMullan moved to New York City and continued his art education at Pratt Institute.
Virginia Lee Burton was the author and illustrator of classic picture books. The winner of the 1942 Caldecott Medal for The Little House, Burton’s books include heroes and happy endings, lively illustrations, and a dash of nostalgia.
“The Very Hungry Caterpillar”: “Like the caterpillar in the story, this well-loved picture book underwent a major metamorphosis, having begun life as a manuscript of uncertain promise titled A Week with Willi Worm.” —Leonard Marcus.
When we think of Maurice Sendak, our immediate thoughts go to his ground-breaking Caldecott winning title, Where the Wild Things Are. Sendak smashed the perception of childhood as a time of pleasantness, a time of unicorns and rainbows, sweetness and light. He appalled the “gate keepers” of the time. Too scary they said.
Andrea Davis Pinkney and Brian Pinkney have made an outstanding contribution to the field of children’s literature both as individuals and as a team. Together, they have published more than 70 children’s books that have received the highest awards and accolades.
Illustrator Katy Schneider used oil paint for her illustrations in “Once I Ate a Pie.” Oil paint is a powdered pigment bound in plant-derived oils such as linseed or walnut oils. Although it can be used on paper, oil paint is often used on cotton or linen canvas, and less commonly on wooden panels. Oil paints dry slowly.
“Oink” by Arthur Geisert was illustrated with etchings — a rarely used technique in children’s books. The colors were done with manual color separation. Geisert tried to combine a classic etching style inspired by Piranesi, Rembrandt, and Callot with humor and narrative.
Umbrella (1958) by Taro Yashima is a recollection of childhood, is a story of Momo as a young Japanese-American in New York who wants to use her new umbrella. Yashima had three Caldecott Honors for his work on Crow Boy, Umbrella, and Seashore Story. His style varied from book to book.
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